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This is a transcribed copy of The Check Isn't in The Mail. Feel free to edit or add to this page, as long as the information comes directly from the episode.
Previous: Pilot Next: Barbara Gets Shot
ACT 1
Speaker Dialogue
SCENE: 1755 FAIRVIEW ROAD, kitchen. HARRY and DREYFUSS are sitting in the kitchen for breakfast. HARRY is reading the morning paper.
HARRY Alright. Done with the paper, done with the coffee, and you know what that means, Dreyfuss.
HARRY It's time…to play sock!
HARRY whips out a sock and starts wildly waving it in the air. DREYFUSS doesn’t show any reaction.
HARRY Dreyfuss, we do this every morning. You could not possibly have forgotten the rules.
DREYFUSS shows no interest in the sock.
HARRY Alright, I'll review them for you.  It's really very simple.
HARRY I shake the sock vigorously, you grab it with your teeth, and you pull and you tug, and for some reason derive incredible satisfaction from the whole damn thing.
HARRY Alright, let's go. One more time here.
HARRY shakes the sock again. DREYFUSS is still uninterested.
HARRY What's going on in here? What is this?
HARRY Look at this. You've hardly touched your food. It's not like you to be picky about your diet. Last night, you ate a cockroach.
DREYFUSS gets up and exits into the LIVING ROOM, STAGE LEFT.
HARRY Hey, it's not like you to be rude, either!
CAROL and BARBARA enter from the front door, STAGE RIGHT, laughing and happy.
HARRY How was the drive?
BARBARA It's a great car, Daddy. Carol got herself one terrific automobile.
CAROL It is terrific, isn't it? Suddenly driving is such a joy.
HARRY This is not like you to splurge like that.
CAROL This is turning out to be quite a week. First the car, you and then, this morning, who should I get a call from but my lovely ex-husband?
HARRY Wait a minute. Wait. Wait. Gary called?
BARBARA What did he want?
HARRY No, please let me guess. He has slept with every woman in the world and wants to start all over again.
CAROL He wants to see me tonight for dinner.
BARBARA What did you say?
HARRY What -- the man gave her the five worst years of her life. What do you think she said?
CAROL Yes.
HARRY She said yes.
HARRY (shocked) She said yes?! What are you, crazy?! Listen, that's a very, very bad answer. No was the correct choice.
BARBARA What does he want?
CAROL He didn't say. But a couple of days ago, I ran into his friend Brad. I happened to look terrific that day, by the way. And Brad mentioned how Gary was still upset that I kept his fancy rowing machine in the divorce. Maybe he wants it back.
BARBARA Or maybe Brad told Gary how great you look and maybe Gary wants you back.
HARRY Now, now that is crazy. That's a very illogical leap. That makes no sense at all.
CAROL I had the exact same thought.
HARRY is exasperated.
HARRY Okay, alright, fine I mean, I don't pretend to know much about this stuff, but there is one thing I do know. And that's what your mother would say, if she were here now.
CAROL What would she say?
HARRY is quite for a moment.
HARRY I don't know.
HARRY But it would be good, and she would speak for me, and that would also be good. And when she was finished talking for the two of us, you would cancel that dinner and that would be the last anyone ever heard of it.
HARRY Except me, because she would have to call me at the office. to tell me what I'd said.
HARRY I don't get this. I mean, your life was just starting to come together. Why would you want to see him again?
CAROL All I want is to go to dinner with the man and be so sensational that it leaves him with an aching in his heart. And if it spreads to his groin, that's icing on the cake.
BARBARA Well, I got to go home and change into my hooker outfit.
HARRY (shocked) Pardon?
BARBARA Police business, Daddy. There's a man that's been beating up prostitutes, so I'm going undercover and I'm gonna try to lure him out.
HARRY Thank you for sharing that with me, dear.
BARBARA exits through the back door, STAGE RIGHT.
CAROL Okay, Daddy. Let's go for that drive.
HARRY Honey, could we do that at lunch? I'm a little worried about Dreyfuss right now.
CAROL What's wrong?
HARRY Well, mostly he won't play sock. Unless, of course, it's something I'm doing wrong.
HARRY waves the sock in the air, making goofy noises.
HARRY No, that's right.
TIME LAPSE: Lunchtime. INTERIOR: Community Medical Center. LAVERNE is on the phone with a supplier.
LAVERNE Yes, a shipment of bandages just come in, and it's 100% wrong. I ordered the Flintstone assortment, and there's not one Bamm-Bamm in the whole lot. Not one damn Bamm-Bamm.
HARRY, KELLY, and MRS. BRIDGES enter the waiting area, STAGE LEFT. MRS. BRIDGES is very worried about her son.
MRS. BRIDGES Dr. Weston, are you absolutely sure it's just a cold?
HARRY Positive.
MRS. BRIDGES But the way he's sneezing and coughing-
HARRY That's the cold part, Mrs. Bridges. Now if Kelly were not sneezing and coughing, he would be what we call well.
MRS. BRIDGES You're sure you didn't overlook anything? There's no shame in admitting it, you know.
HARRY If it would make you feel any better, you could get a second opinion.
MRS. BRIDGES You are my second opinion.
HARRY Mrs. Bridges, just take him home, put him to bed, and I promise you, in no time at all, he'll be back to his old self.
MRS. BRIDGES You say that, but I read an article the other day-
HARRY No, please, Mrs. Bridges. I thought we made a deal about the articles.
MRS. BRIDGES I feel a CAT scan would be in order.
HARRY Really? You do, do you? A CAT scan?
MRS. BRIDGES Yes.
HARRY Well, I mean that never occurred to me, but then what the hell do I know? I've only been doing this for thirty years. Whereas you, you've read an article!
HARRY Goodbye, Mrs. Bridges. We'll see you.
HARRY leads MRS. BRIDGES out of the office and into the waiting area. When she exits, he stoops down and give KELLY a lollipop.
HARRY Here. You listen to me. You are going to be fine. Her? I dunno.
KELLY exits DOWNSTAGE RIGHT. HARRY goes back towards the front desk.
LAVERNE If she's this worried about her young'un, you really should be more patient.
LAVERNE Here's the mail. (She hands HARRY the mail.) All junk. Except for that thing from Ed McMahon.
CAROL enters, DOWNSTAGE RIGHT, and walks up to the front desk.
CAROL Hi!
HARRY Hey, there! How's the car?
CAROL I got the car washed. It's looking great. I got a new dress. I'm looking great. I am completely ready for my dinner with Gary.
LAVERNE Gary? Your ex-husband Gary? That scum that slept in every bed but yours?
CAROL looks at HARRY disapprovingly.
HARRY I told Laverne a little bit about him.
HARRY Listen, are you sure you know what you're doing? I mean, this dinner began as a curiosity, then it became revenge, and now it's a new dress. I'm just afraid you're setting yourself up.
CAROL I just want to show him that I'm not the same sweet, naive little pushover he was married to. I've come a long way these last two years, Daddy. And I want him to see that.
CAROL Now come on, change your jacket. I'll go downstairs and get the car.
CAROL exits into the waiting area, DOWNSTAGE RIGHT.
HARRY I hope she knows what she's doing. I mean, I do hate that ex-husband of hers.
LAVERNE Back home, we don't have exes. Just husbands and corpses.
TIME LAPSE: Evening. INTERIOR: fancy restaurant.

CAROL and GARY are having dinner at a fancy French restaurant. CAROL looks lovely in her dress.
CAROL Well, that was very good.
GARY Good. Would you like some dessert?
CAROL No. Thank you, Gary. Ordinarily, I would since weight is no longer a problem for me. But tonight I don't want to fill up. You see, I'm meeting a man after I leave here.
GARY Yes, you mentioned that. Several times.
CAROL Sorry. Sometimes I'm forgetful. (She notices GARY looking at her.) What?
GARY I just can't get over how great you look. You really look terrific.
CAROL (flattered) I know. Eat your heart out.
GARY You're still angry, aren't you? Even after all this time.
CAROL I'm only sorry we didn't have children so I could turn them against you too.
CAROL But enough of this. I am a modern woman. Not one to dwell in the past. Keep moving forward, that's my motto.
CAROL By the way, did I mention that those few things I used to be reluctant to do with you sexually, I now do all the time and really enjoy?
GARY Yes, you did.
CAROL Good. I wanted to be sure to get that in.
GARY Well, I am glad that you haven't lost your sense of humor. I always loved your sense of humor.
CAROL briefly hesitates.
CAROL Gary, can I ask you something?
GARY Sure.
CAROL Not that it matters, but why all the other women? I never understood that. I mean, I thought we were pretty good together that way.
GARY (shrugs) What can I say, Carol? Time passes. People change. Besides, look at you. I left the scene and you started to thrive.
CAROL Well, I don't know about thrive-
GARY No, no, don't apologize. It only makes what I have to say a lot easier. You see, the reason I wanted to see you tonight...
CAROL stops him.
CAROL Gary, wait. Don't say it.
CAROL I can't. I mean, an occasional dinner, fine, but there is just no chance of us getting back together.
GARY Why would I want that?
GARY I just wanted to see you so that I could give you this.
GARY takes out an envelope and hands it to CAROL.
GARY It's the final alimony payment, and I just wanted to give it to you personally.
CAROL stares blankly at the envelope.
GARY Carol, you knew it was ending this month.
CAROL Of course.
GARY (points at the envelope)
CAROL doesn't respond.
GARY Okay, well, I have some plans for tonight, and I know that there's this man that you have to see, so you know…
GARY gets up from the table and puts on his jacket, blissfully ignorant of CAROL'S pain.
GARY You really do look terrific. Take care of yourself.
GARY exits, STAGE RIGHT. CAROL sits in silence, staring at the envelope. A waiter comes up to her, carrying the check.
WAITER Monsieur said that you would take care of this.
The waiter leaves CAROL with both checks. End ACT 1.

ACT 2[]

Speaker Dialogue
SCENE: 1755 FAIRVIEW ROAD, living room.

CAROL is laying on the couch, despondent. HARRY enters with a cup of cocoa, STAGE RIGHT.
HARRY Here you go, honey. Come on. Drink this.
CAROL What is it?
HARRY It's hot cocoa. Just like your mother used to make when you were upset. Always made you feel better.
CAROL That's when I was a little girl, Daddy. I'm not a little girl anymore.
HARRY I know, but it may help anyway. Come on.
CAROL takes the cocoa from HARRY. She looks in the mug.
CAROL Where's the marshmallow?
HARRY What?
CAROL The marshmallow. Mom always put a marshmallow in it.
HARRY I don't have any marshmallows.
CAROL (voice breaking) Great. Like this is really gonna help without a marshmallow.
CAROL angrily sets the mug down on the coffee table. BARBARA enters from STAGE LEFT, dressed in an over-the-top prostitute costume. HARRY nearly has a heart attack when he sees her.
BARBARA I got here as soon as I could. What's the emergency?
HARRY Barbara! Sweetheart! You look so...
HARRY Slutty!
BARBARA Daddy, I told you I was working undercover as a hooker. Now what's wrong?
HARRY Carol's alimony just ran out. That's why Gary wanted to see her.
CAROL Now I'm gonna have to sell my condo and my car.
HARRY Carol, you're working now, and the alimony wasn't that much anyway. You didn't even want the alimony! We made you take it!
CAROL (monotone) Rice. I'll be eating a lot of rice from now on.
HARRY goes to pick up the mug of cocoa. CAROL stops him.
CAROL Leave it. I'll drink it straight.
HARRY Alright, well, I'll make a little more cocoa, and I'll bring you some cookies?
HARRY enters the kitchen. DREYFUSS is laying on the floor.
HARRY Dreyfuss, it's not a pleasant scene out there.
HARRY How are you doing? You up for a game of sock? Let's go. Come on.
HARRY takes out a sock and waves it in front of DREYFUSS. DREYFUSS doesn't show any interest. HARRY stoops down to check DREYFUSS out.
HARRY You know, Dreyf, your nose is still warm. You know what that means, don't you? I got to take you to the vet.
DREYFUSS gets up and runs inside one of the open cabinets.
BARBARA Carol, that is not a fair comparison. Gandhi had it much worse than you do.
CHARLEY enters through the front door, STAGE LEFT. He sees the girls all dressed up and is delighted.
CHARLEY Hi. I just stopped by to…
CHARLEY Whoa! What have we got here?
BARBARA I'm working undercover as a hooker, and now is not a good time.
CHARLEY Are you kidding? From where I'm standing, I couldn't have picked a better time.
BARBARA sits down next to CAROL. CHARLEY walks over to the couch.
CAROL Go home, Charley.
CHARLEY ...I can't.
CAROL Why not?
CHARLEY (stiffly) Because I don't think I could move now without hurting myself.
CAROL (to Barbara) Do you have your gun on you?
CHARLEY My, my, aren't we testy tonight? Something wrong?
CAROL No.
CHARLEY Hey, something is wrong.
CAROL No, it's not.
CHARLEY Your eyes are red. You've been crying.
CHARLEY goes to the coffee table and picks up CAROL'S mug. He holds it to his nose and takes a cursory sniff.
CHARLEY Cocoa.
CHARLEY You're having another crisis, aren't you?
BARBARA Charley, leave her alone.
CHARLEY And that's why you're here. Carol's had another crisis and you're here to help her through it. Whoa, I'm good! (He takes a celebratory sip of the cocoa.)
CHARLEY So what is it? What happened?
CAROL None of your business.
CHARLEY starts to walk around the couch as he thinks out loud.
CHARLEY Judging by the tears and the cocoa, it's got to be something big, something important. (He snaps his fingers.) Ex-husband. Gotta be the ex-husband!
BARBARA He is good.
HARRY enters the living room, STAGE LEFT, carrying a jar of cookies.
HARRY So, everything okay now?
CAROL No.
HARRY I knew it was a long shot. (He notices CHARLEY in the room.) Charley, are you helping matters?
CHARLEY No.
HARRY Then leave.
CHARLEY I don't want to.
HARRY (holds out the cookie jar) I'll give you these cookies.
CHARLEY Okay.
CHARLEY takes the cookie jar from HARRY and exits the house, STAGE RIGHT. BARBARA gets up from the couch.
BARBARA Well, I gotta go, too. Are you going to be okay?
HARRY Sure, she's gonna be okay. Come on. Tell her.
CAROL I'll be fine.
CAROL I'm just gonna go home and get into bed…and start my new life of poverty in the morning.
HARRY See, she's got a plan and everything!
SCENE: Veterinary Office.

HARRY and DREYFUSS wait in an exam room. DR. ROSS enters carrying DREYFUSS'S chart.
DR. ROSS Dreyfuss seems perfectly healthy to me, Dr. Weston. There's some mild gastric distress. Nothing to worry about.
HARRY Yeah, but his nose is warm, and he won't eat.
DR. ROSS That's perfectly normal in these cases.
HARRY Excuse me, you don't seem to understand, Dr. Ross. He won't play sock.
DR. ROSS Have you tried different socks?
HARRY Of course I have. I'm a doctor! Listen, can I talk to one of your associates? Someone older than my tie?
DR. ROSS You wait here. I'm just gonna go take a glance at Dreyfuss's tests.
DR. ROSS exits the exam room, STAGE LEFT.
HARRY Tests? You're gonna glance at a test? This is very casual.
HARRY goes over to DREYFUSS and stoops down to pet him.
HARRY Oh, Dreyfuss. I don't know what I'd do if anything happened to you. You are my best friend in the world, you know that? And I must love you very much, being this close to your face and you having that breath.
DR. ROSS re-enters the exam room, STAGE LEFT. He puts DREYFUSS'S scans on the nearby board.
DR. ROSS I think we found the source of the gastric distress. And it's nothing to worry about.
HARRY Really?
DR. ROSS (He points to one of the scans.) You see that thing there? I can't be sure, but it looks like a piece of cloth.
HARRY slowly turns to DREYFUSS as he realizes what's happened. DREYFUSS looks just the slightest bit guilty.
HARRY No wonder you didn't want to play sock! You ate sock! What is-?!
HARRY Dr. Ross, I don't know how to thank you. You have been so very patient with me.
DR. ROSS Well, I didn't do anything any other doctor wouldn't do. I mean, we all go out of our way to be understanding with people who are worried about their loved ones, don't we?
HARRY is briefly quiet, looking just the slightest bit guilty.
HARRY Yeah, I mean, we do, but there are some doctors out there…you know what I mean?
HARRY pets DREYFUSS.

SCENE: CAROL'S CONDO, night. CAROL is sitting on her couch cutting up pictures. Someone knocks on her door and she goes to answer, finding HARRY waiting on her doorstep.
CAROL Daddy.
HARRY Am I interrupting anything?
CAROL No, no. I was just going through some old photo albums, cutting Gary's head out of all the pictures.
HARRY I can come back some other time if you're busy decapitating.
CAROL No, come on in.
HARRY enters CAROL'S condo, STAGE LEFT. He looks at her coffee table. There are cut-up pictures strewn about the table.
CAROL I just made some coffee. Want some?
HARRY Um, yeah. Yes, I will. Thanks, dear.
HARRY (He looks at one of the pictures.) You missed a head.
CAROL brings HARRY a cup of coffee and sits next to him on her couch.
CAROL I asked my boss for a raise today. She said no, so I put too much toner in the Xerox machine.
HARRY Thanks, baby. Listen, honey, I came over here tonight because I'm worried about you. I just want to make sure you're okay, and if you have any financial problems, I mean, I'm here for you.
CAROL That's very sweet, Daddy.
HARRY Thank you.
CAROL But I can't accept any money from you.
HARRY Why not?
CAROL Because I love you.
HARRY You took money from Gary.
CAROL I hate him.
HARRY You're a complicated woman, Carol.
HARRY cuts GARY'S head out of a picture.
HARRY What do I do with this?
CAROL I throw the heads in here.
CAROL takes the head from HARRY and tosses it in a little trash bin.
CAROL I'm so sorry to be putting you through this, Daddy.
HARRY No, come on. Don't be sorry. I'm just sorry your mother isn't here to help. She was so much better at handling these things than I am. I mean, I didn't even know about the marshmallow in the cocoa.
CAROL What's wrong with me, anyway? Other women go through these things every day. They don't fall apart.
HARRY You're not falling apart.
CAROL I'm cutting heads out of photo albums, Daddy. That's not good.
CAROL I hate Gary for doing this to me.
HARRY So, okay, I mean, he's out of your life now forever.
CAROL And that's supposed to make me feel better?
HARRY Doesn't it?
CAROL Yes! No.
CAROL ...I don't know.
HARRY You don't know?
HARRY Well, you know, are you sure this is about money? I mean, maybe there is something else going on here.
CAROL The only thing going on here, Daddy, is that there is no more alimony. No more checks. No more envelopes with Gary's handwriting on them. No more excuses from Gary about why the check is late.
CAROL goes quiet.
CAROL This isn't about money, is it?
CAROL You're right. It's about the end of a relationship. But we had the world's worst marriage, and I hate the man. I mean, I really do hate him.
HARRY (He refers to a picture with GARY'S crotch missing.) Obviously. Look what you cut off in this picture.
CAROL So why is it killing me that the last thing we had together is gone? I must be crazy, right?
HARRY Maybe a little, but, you know, we all are.
CAROL So when does it stop hurting, Daddy? When?
HARRY I don't know when. But I know that it will.
HARRY You remember that red tie with the blue checks your mother gave me for my birthday?
CAROL Of course. You used to wear it practically every day.
HARRY Well, after your mother died, I couldn't wear that tie anymore. I tried a couple of times. Couldn't do it. I mean, it hurt so much. And then one day, I was getting dressed for work, and without even thinking I had put the tie on. And it was okay this time. In fact, it felt so good to have it back.
HARRY I don't know what changed exactly, but I think it had something to do with time and acceptance. I don't know. This probably doesn't make any sense to you at all.
CAROL No, it makes a lot of sense, Daddy.
CAROL I only wish there was some way you could go through this for me.
HARRY I wish I could too, baby. But I gotta go. (He gets up and becomes more somber.) I have to cruise Biscayne Boulevard to see which corner your sister is working.
CAROL Daddy?
HARRY walking and turns to look at her.
CAROL Mom couldn't have handled it any better.
CAROL But for God's sake, next time get some marshmallows.
HARRY smiles and leaves the condo. End ACT 2.

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Season1 PilotThe Check Isn't in The MailBarbara Gets a ShotFatal AttractionFather of the BrideHarry's VacationTinkers to Evers to TusconWhat's a Father to Do?Harry's FriendLibby's GiftThe First Time, AgainFull NestHere's a Howdy-DoStrange BedfellowsTears of a ClownBlame It on the MoonDumpedThe More Things ChangeMan of the YearCyrano de WestonMy Sister, My FriendA Life in the Day
Season 2 SettlingHarry Snubs LaverneOn The Interpretation of DreamsBetween a Cop and a Hard PlaceJust You and My KidRambo of Neiman MarcusYou Are 16 Going on 17 and I Am NotThe R.N. Who Came to DinnerGreen Eggs and HarryOverdue for a JobA Christmas StoryA Change of HeartHarry's ChoiceComplainin' in the RainM.D. P.O.V.Everything But LoveTimingIt Happened Two Nights, Four Costume ChangesLove Is BlindGoodbye, Mr. DietzLessonsTake My Mom, PleaseDid You Ever See a Dream Dying?Still Growing After All These Years
Season 3 A Flaw Is BornHarry's Excellent AdventureThere's No AccountingBarbara the MomThe Tortoise and the HarryMad About The BoyHoney, I Shrunk LaverneThe Boy Next DoorA Family AffairSomeone to Watch Over MeHarry Knows BestWhenever I Feel AfraidA Shot in the DarkSucking Up Is Hard to DoThe Man That Got AwayThe MentorThe Dog Who Knew Too MuchGuess Who's Coming to Dinner?All About HarryDrive, He SaidThe Last Temptation of LaverneWhat's Eating You?The CruiseThe Way We Are
Season 4 50 Million Men and a BabyAlmost Like Being in LoveHer Cheatin' HeartFood for ThoughtHarry's Got A GunThe Dreyfuss AffairCountry WestonWindyTalk, Talk, TalkLonely The BraveIf You Knew Andy Like I Know...My Nurse Is Back and There's Gonna Be Trouble...The Son of a PreachermanEx-AppealThe Great EscapeThe MismatchmakerThe Return of Aunt SusanThe Unimportance of Being CharleySayonaraDr. Weston and Mr. HydeCharley for PresidentGood Neighbor HarryFinal AnalysisRoots
Season 5 Why Do Fools Fall in Love?Take My Garage, PleaseR.N. on the Rebound...Or Forever Hold Your PeaceThe Boomerang AffairCruel and Unusual PunishmentIt's Not Easy Being GreenDirty HarryTiming is EverythingThanksgiving at the WestonsThe Body BeautifulOverboardEmilyThe StingThe Fracas in VegasPardon My FlashbackDog Day AfternoonMore to LoveMy Dad, My DoctorLove and MarriageThe All-American Boy - Not!Two for the RoadAunt Verne Knows BestMy Mother, My SelfCharley to the RescueSurprise! Surprise!
Season 6 When The Rooster DiesBye-Bye Baby...Hello, Part 1Bye-Bye Baby...Hello, Part 2Mama Todd, The SequelMom's the WordDiary of a Mad HousewifeMother DearestNo Volunteers, PleaseDas BoobThe Girl Who Cried BabySuperbabyRead All About ItLove a la ModeWhat's A Mother to Do?GesundheitUnder the GunBrotherly ShoveThe Ballad of Shady PinesHog HeavenCharley's MillionsHalf That JazzThe Devil and Dr. WestonA Foreign AffairLordy, Lordy, LandlordyAbsence Makes the Nurse Grow WeirderBest Friends
Season 7 Let's Give Them Something to Talk AboutMrs. Clinton Comes to TownJust for LaughsThe Woman Who Came to DitherCarol Gets a RaiseThe Courtship of Carol's FatherThe Tinker GrantWould You Believe...Partly Cloudy with a Chance of PainSingle White MaleDear Aunt MarthaGoodbye, CharleyFamily PracticeGrandma, What Big Eyes You HaveFeelings, Whoa Whoa Whoa, FeelingsAnd Kevin Makes ThreeHarry Weston: Man's Best FriendThe Ex-FilesStand By Your ManLife Goes On, Part 1Life Goes On, Part 2My Pal Valy-ValRemembrance of Clips Past